A strip-off contest for $100,000 turns a small country town upside down, which causes chaos and conflict.

Let-It-Rain Riley (MacLean) is a devil-may-care Marine sergeant who falls in love with a girl (Shirley Mason) who he assumes to be rich. His rival for the girl's affection is his pal, Kelly (Wade Boteler). The guys find out that the object of their affections is but a modest switchboard operator but she proves to be invaluable when she deciphers a code and discovers that a mail train is about to be robbed.

A grumpy widower's life changes when he finds himself at the center of an event that could bring rain to his drought-stricken village, altering his relationship with his daughter and the community.

What do an aspiring pop diva, a fashionista and a book worm have in common? Music! After being randomly selected to room together at Mackendrick Prep, Sun Hi, Jodi and Corki must learn to live together in harmony... literally. Can they achieve pop stardom in a school where academics come first and the arts come last? How will these rising stars balance music, grades, relationships and crushes? There's only one way to find out! Get ready for fun, drama, and musical comedy with a K-pop twist and an EDM beat!

Loïc, a chestnut seller, has a mistress who wants a baby. Not daring to admit to her that he had the mumps late in life, he finds other excuses. Until the day he meets Claire, an old girlfriend, who has a little boy. Loïc finds the resemblance between the little boy and himself enormous and is convinced that he is his father...

Five different international Students try getting their Life's together while studying in New York City.

暂无剧情简介

暂无剧情简介

Make it new John tells the story of the DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. The film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonisation of the car - the DMC12 - as a symbol of the American myth of mobility. As with the earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), in Make it New John, Campbell fuses a documentary aesthetic with fictive moments, using existing archive news and documentary footage from the 1980s as well as new 16mm footage which imagines conversations between DeLorean factory workers. Campbell questions the documentary genre and reflects here on broader existential themes and narrative drives.